PAST PRODUCTIONS
Photo by Amanda McFaul
NOVEMBER
With Mamet's characteristic no-holds-barred style, November is a scathingly hilarious take on the state of America today and the lengths to which people will go to win.
DEADLY MURDER
Full of twists and turns, bluffs and double bluffs, this brilliantly intricate thriller will be one step ahead of you all the way!
Photo by Liz Gill
Photo by David Woodworth
THE PSYCHIC
The Psychic follows the chaotic life of Adam Webster, a down-on-his-luck writer, who, desperate to pay the rent, puts a sign in his apartment window:”Psychic Readings $25.
Photo by Amanda McFaul
DOUBT
In this brilliant and powerful Pulitzer Prize winning drama, Sister Aloysius, a Bronx school principal, takes matter into her own hands when she suspects Father Flynn of improper relations with one of her male students.
BLACKBIRD
Guilt, rage, and raw emotions run high as Una and Ray recollect the passionate relationship they had fifteen years ago, when she was twelve and he was forty. Without any moral judgments, the play never shies away from the brutal truth of this abandoned and unconventional love.
Photo by John Jaeger
BARRYMORE
A portrait of riveting complexity and paradox that finds the balletic elegance in a drunken stagger, the poetry in a blue joke and the churning guts in rarefied verse.
Photo by Ed Scutt
RACE
Multiple Award-winning playwright/director David Mamet tackles America’s most controversial topic in a provocative new tale of sex, guilt and bold accusations.
Photo by Annette Dragon
GOD OF CARNAGE
A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tensions emerge and the gloves come off, leaving the couples with more than just their liberal principles in tatters.
Photo by Annette Dragon
THE RECEPTIONIST
Beverly deals effortlessly with ringing phones and her colleague's romantic troubles when a charming rep from the Central Office disrupts the friendly routine. The true nature of the company's business becomes apparent, raising provocative questions about the consequences of complicity with evil.
Photo by David Woodworth
THE NORWEGIANS
A strong, bitter comedy about women scorned in Minnesota and the really, really nice gangsters—Norwegian hit men—they hire to whack their ex-boyfriends. Olive and Betty were not prepared for the Norwegian men they would fall in love with there: the practical, warm, thoughtful, destructive, evil, jilting kind.
Photo by David Woodworth